In Kadapa district, the Chennakesava Swamy temple at Pushpagiri holds a remarkable sculptural heritage that demands urgent attention and preservation, according to K. Mrutyunjaya Rao, Head of the Department of Fine Arts at Yogi Vemana University.
Rao, who recently conducted a detailed study focusing on Bharavi’s Kiratarjuniyam, highlighted the temple’s intricate sculptures, which surpass those of other temples in the Rayalaseema region. He noted that unlike the Lepakshi temple, where the entire Kiratarjuniyam story is depicted on a single wall, the Pushpagiri temple spreads key episodes across its base and four directional walls, divided into five segments. This segmented narrative, he explained, enhances viewer engagement with the story.
The temple hosts a diverse collection of sculptures, ranging from 6 to 10 inches in height. These include detailed depictions of Lord Vishnu, Vrishabharudha Murti, Nataraja, Andakasura Murti, Natya Ganapati, Rama and Lakshmana, and Varaha Murti. Rao praised the meticulous ornamentation and superior craftsmanship evident in these artworks.
Identifying the sculptures as exemplary Vijayanagara Art, Rao observed a fusion of Hoysala and Chola styles, suggesting the involvement of sculptors possibly from the Hoysala Vishwakarma community of Karnataka.
While expressing pride in Kadapa’s possession of such cultural richness, Rao underscored the necessity of preserving this heritage for future generations. He engaged with local Archaeological Department officials to discuss conservation strategies and gathered insights into the temple’s historical significance from the chief priest.