OTT Reviews

Maestro - Crime drama with a twist

Starring:  Nithiin, Nabha Natesh, Tamannaah

Director :  Merlapaka Gandhi

Producer : Sudhakar Reddy, Nikitha Reddy

Music Director :  Mahati Swara Sagar

Cinematography :  J. Yuvaraj

Editor :  S. R. Shekhar

 

Maestro is a film that many were waiting for eagerly. The film is the official remake of Andha Adhun and is now live on Disney Hotstar. Let’s see how it is.

 

Story:

Arun(Nithin) is a blind man who earns his living by playing the piano in Goa. Impressed by him, a yesteryear actor(Naresh) invites him to perform for his wife Simran(Tamannah) on their wedding anniversary. Arun lands at the star’s house only to get involved in a deadly murder. Who has been killed? What will Arun do now? What’s Simran’s role in all this? and where do Nabha Natesh and Jisshu Sen Gupta feature in this setup? That forms the rest of the story.

 

Plus Points:

Nithin makes a U-turn from his regular romantic dramas and chooses a role where he gets to perform. Nithin as the blind man suits the character perfectly and does not go overboard. There is no heroism in his role but still, Nithin made sure his body language expresses a lot.

Maestro will surely be a big game-changer for Tamannah as she is amazing in a negative role. Right from her looks to the expressions, Tamannah is top class. Her own voice also suits the negative role. All her scenes with Nithin have been executed so well.

The soul of the film is intact and has not been disturbed by the makers. The backdrop of Goa also suits the theme of the film. Nabha Natesh is neat in her small role and shares good chemistry with Nithin. Racha Ravi and Mangli get good roles and they do well in their given characters.

 

Minus Points:

Those who have seen the original will surely draw comparisons. Merlapaka Gandhi has directed the film and he has narrated the remake in a faithful manner. But the place where the film drops is the drama quotient. The film originally had gripping drama but the director failed to elevate it in the remake.

Nithin’s role needed more dramatization but he is showcased in a pale and dull manner in tense scenes. The tension he faces in crazy situations has not been elevated properly. If Nithin’s role and thrills would have been showcased in a more interesting manner in the second half, the effect would have been even better.


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